Thérèse Raquin
I was reading Tom Felton’s twitter feed, trying to describe if it was worth following (I only follow people who use twitter interestingly and people I know), and one of the things he’s been tweeting about is being in Serbia filming a new movie. One quick IMDB later, and I found out that there’s a movie adaptation of Émile Zola’s novel Thérèse Raquin, and he’s playing Camille.
I readThérèseRaquina few years ago in college and rather enjoyed it. I read it as part of a class, and it was introduced as being one of a trio of books about adulteresses, along with Flaubert’sMadame Bovaryand Lawrence’sLady Chatterley’s Lover. My professor presented it as though this were common knowledge, and it makes a lot of sense: all three deal with adultery and women’s sexuality in scandalously frank ways (especially for the times at which they were written). I don’t remember all ofRaquinperfectly, I’m afraid, but it centered on Thérèse herself and the guilt of what she’s done (both the murder and the adultery, to some degree) and dealt with of issues of oppressive societal expectations of women’s behavior.
IMDB has it categorized as a thriller.
From where I stand, that could mean one of two things: either IMDB doesn’t have room in its worldview for a story about society that happens to have a ghost in it, or the director’s using Thérèse as a backdrop for a ghost story. I hope it’s the former.
(Or, I hope, it means I don’t know what IMDB means when it says “thriller.”)
